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Traver Gallery

Ginny Ruffner

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  • About
  • Media
|
WHY POLKA DOT FLOWERS? BECAUSE MAKING AESTHETIC CHOICES IS NEVER BLACK AND WHITE | 31855
WHY POLKA DOT FLOWERS? BECAUSE MAKING AESTHETIC CHOICES IS NEVER BLACK AND WHITE | 31855, 2019
lampworked glass and mixed media
13"h x 17"w x 12"d
pricing available upon request
THE REAL REASON MORNING GLORIES CLIMB | 31788
THE REAL REASON MORNING GLORIES CLIMB | 31788, 2018
lampworked glass and mixed media
15.5"h x 22.5"w x 14.25"d
pricing available upon request
BOWL OF MOUNTAINS | 31793
BOWL OF MOUNTAINS | 31793, 2005
lampworked glass and mixed media
13.5"h x 15.5"w x 3"d
pricing available upon request
BLUE POTTED CALADIUM | 31795
BLUE POTTED CALADIUM | 31795, 2005
lampworked glass and mixed media
14.5"h x 11"w x 2"d
pricing available upon request
AES: HOW RAIN GETS IN CLOUDS | 28106
AES: HOW RAIN GETS IN CLOUDS | 28106
flameworked glass
17"h x 16"w x 9"d
pricing available upon request
AES: CULTURE CODIFIES OUTWARD VARIATIONS, NATURE THRIVES ON SHARED ROOTS | 28105
AES: CULTURE CODIFIES OUTWARD VARIATIONS, NATURE THRIVES ON SHARED ROOTS | 28105
flameworked and painted glass
16"h x 13.25" diameter
pricing available upon request
1/6
  • WHY POLKA DOT FLOWERS? BECAUSE MAKING AESTHETIC CHOICES IS NEVER BLACK AND WHITE | 31855, 2019
    lampworked glass and mixed media
    13"h x 17"w x 12"d
    pricing available upon request
  • THE REAL REASON MORNING GLORIES CLIMB | 31788, 2018
    lampworked glass and mixed media
    15.5"h x 22.5"w x 14.25"d
    pricing available upon request
  • BOWL OF MOUNTAINS | 31793, 2005
    lampworked glass and mixed media
    13.5"h x 15.5"w x 3"d
    pricing available upon request
  • BLUE POTTED CALADIUM | 31795, 2005
    lampworked glass and mixed media
    14.5"h x 11"w x 2"d
    pricing available upon request
  • AES: HOW RAIN GETS IN CLOUDS | 28106
    flameworked glass
    17"h x 16"w x 9"d
    pricing available upon request
  • AES: CULTURE CODIFIES OUTWARD VARIATIONS, NATURE THRIVES ON SHARED ROOTS | 28105
    flameworked and painted glass
    16"h x 13.25" diameter
    pricing available upon request
GR

About
Ginny Ruffner

Ginny Ruffner trained at the University of Georgia as a painter, graduating with honors and an MFA in painting. Ruffner has had 88 solo shows, several hundred group shows, and her work is in 55 permanent museum and public collections around the world. Seattle public art installations include a 30-foot tall kinetic water feature downtown and a permanent installation in the Seattle Art Museum’s Olympic Sculpture Park. Recent Augmented Reality projects include Weston Riff at Photo Center NW, Branches at Seattle International Film Festival and Poetic Hybrids at Seattle Art Museum. She has written two books and been the subject of an award-winning, full-length documentary titled A Not So Still Life, the Ginny Ruffner Story. Her latest project, Reforestation of the Imagination, first shown at MadArt in Seattle, will travel to the Smithsonian’s Renwick Gallery this spring. Ruffner has lectured and taught extensively and served as an artist-in-residence numerous times at schools and universities around the world.

Media

Media

RESUME
BIO
PRESS RELEASE APR 2019
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