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Traver Gallery

Patti Warashina

  • Artworks
  • About
|
CROSSROADS | 32401
CROSSROADS | 32401, 2018
low-fire clay, underglaze, glaze, steel
65"h x 28"w x 28"d
$52,000
DEMOCRACY ON THE RUN | 32402
DEMOCRACY ON THE RUN | 32402, 2018
low-fire clay, underglaze, glaze, steel
60"h x 36"w x 37"d
$58,000
PUSSY IN DISGUISE | 32403
PUSSY IN DISGUISE | 32403, 2017
low-fire clay, underglaze, glaze, mixed media
27"h x 16.5"w x 16.5"d
SOLD
CAT CUP | 32427
CAT CUP | 32427, 2018
porcelain
3.25"h x 5"w x 3.75"d
SOLD
ADAM AND EVE  | 32426
ADAM AND EVE | 32426, 2018
porcelain
5"h x 4.75"w x 2.75"d
SOLD
LADY LIBERTY IN TEARS | 32429
LADY LIBERTY IN TEARS | 32429, 2019
porcelain
3.75"h x 5.5"w x 4"d
SOLD
TRUMP | 32430
TRUMP | 32430, 2019
Porcelain
4"h X 5.5"w X 3.5"d
SOLD
GIRL CUP | 32428
GIRL CUP | 32428, 2018
porcelain
3.5"h x 4"w x 3.25"d
SOLD
1/10
  • CROSSROADS | 32401, 2018
    low-fire clay, underglaze, glaze, steel
    65"h x 28"w x 28"d
    $52,000
  • DEMOCRACY ON THE RUN | 32402, 2018
    low-fire clay, underglaze, glaze, steel
    60"h x 36"w x 37"d
    $58,000
  • PUSSY IN DISGUISE | 32403, 2017
    low-fire clay, underglaze, glaze, mixed media
    27"h x 16.5"w x 16.5"d
    SOLD
  • CAT CUP | 32427, 2018
    porcelain
    3.25"h x 5"w x 3.75"d
    SOLD
  • ADAM AND EVE | 32426, 2018
    porcelain
    5"h x 4.75"w x 2.75"d
    SOLD
  • LADY LIBERTY IN TEARS | 32429, 2019
    porcelain
    3.75"h x 5.5"w x 4"d
    SOLD
  • TRUMP | 32430, 2019
    Porcelain
    4"h X 5.5"w X 3.5"d
    SOLD
  • GIRL CUP | 32428, 2018
    porcelain
    3.5"h x 4"w x 3.25"d
    SOLD
PW

About
Patti Warashina

The human figure has fascinated ceramic sculptor Patti Warashina for most of her 55+ year art career. Her sustaining interest in the human figure is likely due to the fact that her own body is the closest resource from which she draws her ideas. The use of the body gives affirmation to Warashina’s own daily existence, and serves as the subject of her own “visual diary” which, for Warashina, is a reminder, reflection, and observation of personal time and the civilization in which she lives. Warashina draws from her daily life and has an abnormal interest in the absurdity and foibles of human behavior, in which her figures have become the actors in her introspective narratives.

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