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Search for:
Traver Gallery

Malcolm Martin and
Gaynor Dowling

  • Artworks
  • About
  • Media
|
FIVE (still life)  | 31289
FIVE (still life) | 31289, 2017
limed oak
various
$4,000
907 | 31287
907 | 31287, 2017
limed oak
28"h x 4.75"w x 3.25"d
$1,500
862 | 31288
862 | 31288, 2017
limed oak
29.5"h x 4"w x 3"d
$1,700
804 | 31291
804 | 31291, 2017
dark wood
13.5"h x 4.25"w x 3"d
$900
860 | 31294
860 | 31294, 2017
limed oak
16.5"h x 5.5w x 3"d
$900
903 | 31295
903 | 31295, 2017
limed oak
10"h x 5.5w x 1"d
$700
849 | 31296
849 | 31296, 2017
limed oak
7.75"h x 5"w x 3"d
$500
577 | 31300
577 | 31300, 2017
limed oak
5.5"h x 3"w x 2.5"d
$360
852 | 31301
852 | 31301, 2017
limed oak
8.75"h x 6.25"w x 3.5"d
$700
BLACK RIBBED VESSEL | 30404
BLACK RIBBED VESSEL | 30404, 2016
oak
40"h x 14"w x 3"d
$2,800
WHITE RIBBED VESSEL | 30405
WHITE RIBBED VESSEL | 30405, 2016
limed and scorched oak
36"h x 12"w x 3"d
$2,000
GREAT BANDED FLASK | 30407
GREAT BANDED FLASK | 30407, 2016
oak
28"h x 19"w x 3"d
$2,500
GREAT CHINESE FLASK | 30411
GREAT CHINESE FLASK | 30411, 2016
limed and scorched oak
48"h x 22"w x 3"d
$5,000
GROOVED FORM | 29485
GROOVED FORM | 29485
limed and scorched oak
35"h x 13"w x 3"d
$2,500
CAN | 29487
CAN | 29487
limed and scorched oak
34.5"h x 11.5"w x 3"d
$2,500
CHECKER | 29488
CHECKER | 29488
limed and scorched oak
37"h x 13"w x 3"d
$2,500
TALL VESSEL | 29506
TALL VESSEL | 29506
sycamore, bookbinder's thread
14.5"h x 6"w x 1.5"d
$1,000
MAPLE STEM CUP | 29501
MAPLE STEM CUP | 29501
maple, silk
12"h x 8"w x 1.5"d
$1,400
SYCAMORE FLASK | 29503
SYCAMORE FLASK | 29503
sycamore, silk
14"h x 6"w x 1.5"d
$1,000
WALNUT BOTTLE | 29504
WALNUT BOTTLE | 29504
walnut, silk
11.5"h x 4"w x 1.5"d
$800
1/33
  • FIVE (still life) | 31289, 2017
    limed oak
    various
    $4,000
  • 907 | 31287, 2017
    limed oak
    28"h x 4.75"w x 3.25"d
    $1,500
  • 862 | 31288, 2017
    limed oak
    29.5"h x 4"w x 3"d
    $1,700
  • 804 | 31291, 2017
    dark wood
    13.5"h x 4.25"w x 3"d
    $900
  • 860 | 31294, 2017
    limed oak
    16.5"h x 5.5w x 3"d
    $900
  • 903 | 31295, 2017
    limed oak
    10"h x 5.5w x 1"d
    $700
  • 849 | 31296, 2017
    limed oak
    7.75"h x 5"w x 3"d
    $500
  • 577 | 31300, 2017
    limed oak
    5.5"h x 3"w x 2.5"d
    $360
  • 852 | 31301, 2017
    limed oak
    8.75"h x 6.25"w x 3.5"d
    $700
  • BLACK RIBBED VESSEL | 30404, 2016
    oak
    40"h x 14"w x 3"d
    $2,800
  • WHITE RIBBED VESSEL | 30405, 2016
    limed and scorched oak
    36"h x 12"w x 3"d
    $2,000
  • GREAT BANDED FLASK | 30407, 2016
    oak
    28"h x 19"w x 3"d
    $2,500
  • GREAT CHINESE FLASK | 30411, 2016
    limed and scorched oak
    48"h x 22"w x 3"d
    $5,000
  • GROOVED FORM | 29485
    limed and scorched oak
    35"h x 13"w x 3"d
    $2,500
  • CAN | 29487
    limed and scorched oak
    34.5"h x 11.5"w x 3"d
    $2,500
  • CHECKER | 29488
    limed and scorched oak
    37"h x 13"w x 3"d
    $2,500
  • TALL VESSEL | 29506
    sycamore, bookbinder's thread
    14.5"h x 6"w x 1.5"d
    $1,000
  • MAPLE STEM CUP | 29501
    maple, silk
    12"h x 8"w x 1.5"d
    $1,400
  • SYCAMORE FLASK | 29503
    sycamore, silk
    14"h x 6"w x 1.5"d
    $1,000
  • WALNUT BOTTLE | 29504
    walnut, silk
    11.5"h x 4"w x 1.5"d
    $800
MMa

About
Malcolm Martin and
Gaynor Dowling

Martin and Dowling have worked together since 1997, their collaborative pieces straddling the fields of sculpture and craft. The artists comment that their work is, about the encounter of hand, wood, and chisel, where pattern and texture emerge from the repetitive nature of the act of carving itself.

Their different backgrounds – Martin studied sculpture before going on to the Royal College of Art, while Dowling trained as a textile artist – spark their collaboration, bringing the fluidity and rhythm of textiles to this least fluid of mediums.

In their most recent work, the black abstract forms evoke a human presence through their scale and posture. Scale has always been important to their work, whether it is the intimacy of a piece to be held in the hand or the architectural scale of their public art pieces. Even in their well-known vessel pieces, a sense of the figure is rarely entirely absent, as the artists state, Our forms hover somewhere between imagined vessels and the memories of bodies.

“We make sculpture in wood, from half-ton monumental forms for a secret garden, to vessels sewn together from sections of veneer weighing a few grammes. We work together on every stage of the pieces, and have been collaborating full time since 1997. What all our pieces share is the central role of the hand and of hand tools, primarily through carving.

We work on different bodies of work concurrently, so we are continuing our series of still life groupings both in monochrome and colour at the same time as making significant single pieces.

We make an increasing amount of work to commission, for both private and public clients. Please feel welcome to contact us to discuss a potential project. Some previous commissions are shown on the ‘Commissions’ pages.

We are members of Contemporary Applied Arts, showing regularly with them, and have worked with Sarah Myerscough Fine Art, and with flow gallery in Notting Hill for many years.

One of our most significant experiences as makers was our residency at the Center for Art in Wood in Philadelphia, investigating combining traditional carving techniques with stitching and working with veneers, and the results can be seen on the ‘Philadephia residency’ page.”

 

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