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Traver Gallery

Lynn Whitford

|
PRICKLY PAIR | 30827
PRICKLY PAIR | 30827, 2017
copper, brass nails; old wooden sand casting form (base)
14.5"h x 11"w x 11"d
$1,600
DON'T STOP DANCING | 29181
DON'T STOP DANCING | 29181, 2014
copper, brass, wood shelf, mirror, nickel-plated copper mirror
31"h x 18"w x 13.5"d
$4,200
FRUIT OF PARADISE | 29187
FRUIT OF PARADISE | 29187, 2014
pewter pomegranate, silver seeds, wood base
base 8.25"d, 5"h
$1,300
SOLITARY CONFINEMENT WITHIN ONE'S OWN SKIN | 29194
SOLITARY CONFINEMENT WITHIN ONE'S OWN SKIN | 29194, 2014
copper, brass, wood shelf w/mirror
18"h x 9.25"w x 28"l
$5,200
ODE TO LEWIS THOMAS | 29174
ODE TO LEWIS THOMAS | 29174, 2013
copper, silver rings, wood and slate base
10.5"hn x 10.5"w x 11"d
$2,200
DELUSIONS OF GRANDEUR  | 29180
DELUSIONS OF GRANDEUR | 29180, 2013
copper
12"h x 6"w x 10"d
$500
HOW ARE YOU FEELING ON A SCALE OF ONE TO TEN? | 29184
HOW ARE YOU FEELING ON A SCALE OF ONE TO TEN? | 29184, 2013
copper, wood and slate base
base 10.5"h x 10.5"w
$2,000
ODE TO D.M. | 29186
ODE TO D.M. | 29186, 2013
pewter, wood base
10.5"h x 5"w x 5"d
$1,600
HOW COULD WE HAVE KNOWN? | 30360
HOW COULD WE HAVE KNOWN? | 30360
copper, wood, sand
36.5"h x 12.5"w x 6"d
$4,800
DEFORMED CONSENT | 30362
DEFORMED CONSENT | 30362
copper
5.25"h x 12"d
$1,200
THE HALF BOTTLE IS FULL | 30363
THE HALF BOTTLE IS FULL | 30363
copper, wood
2.75"h x 10"w x 4"d
$1,400
ODE TO MORANDI I | 22511
ODE TO MORANDI I | 22511, 2007
copper, brass, wood shelf
15.5"h x 30"w x 11"d
$4,200
FIVE PEPPERS WITH SQUASH | 22508
FIVE PEPPERS WITH SQUASH | 22508, 2007
pewter
6"h x 10.5"dia
$2,600
1/13
  • PRICKLY PAIR | 30827, 2017
    copper, brass nails; old wooden sand casting form (base)
    14.5"h x 11"w x 11"d
    $1,600
  • DON’T STOP DANCING | 29181, 2014
    copper, brass, wood shelf, mirror, nickel-plated copper mirror
    31"h x 18"w x 13.5"d
    $4,200
  • FRUIT OF PARADISE | 29187, 2014
    pewter pomegranate, silver seeds, wood base
    base 8.25"d, 5"h
    $1,300
  • SOLITARY CONFINEMENT WITHIN ONE’S OWN SKIN | 29194, 2014
    copper, brass, wood shelf w/mirror
    18"h x 9.25"w x 28"l
    $5,200
  • ODE TO LEWIS THOMAS | 29174, 2013
    copper, silver rings, wood and slate base
    10.5"hn x 10.5"w x 11"d
    $2,200
  • DELUSIONS OF GRANDEUR | 29180, 2013
    copper
    12"h x 6"w x 10"d
    $500
  • HOW ARE YOU FEELING ON A SCALE OF ONE TO TEN? | 29184, 2013
    copper, wood and slate base
    base 10.5"h x 10.5"w
    $2,000
  • ODE TO D.M. | 29186, 2013
    pewter, wood base
    10.5"h x 5"w x 5"d
    $1,600
  • HOW COULD WE HAVE KNOWN? | 30360
    copper, wood, sand
    36.5"h x 12.5"w x 6"d
    $4,800
  • DEFORMED CONSENT | 30362
    copper
    5.25"h x 12"d
    $1,200
  • THE HALF BOTTLE IS FULL | 30363
    copper, wood
    2.75"h x 10"w x 4"d
    $1,400
  • ODE TO MORANDI I | 22511, 2007
    copper, brass, wood shelf
    15.5"h x 30"w x 11"d
    $4,200
  • FIVE PEPPERS WITH SQUASH | 22508, 2007
    pewter
    6"h x 10.5"dia
    $2,600
LW

About
Lynn Whitford

I have now been doing hollowware – hammering 3D forms out of flat sheet metal – for nearly 30 years. It is a very slow process but satisfies my need to do something expressive, which involves both mind and body in a kind of conversation.  What has remained constant in my work is an interest in the beauty of ordinary objects, and in the way objects can seem to have a life of their own and to connect us to fragments of our history.  I usually conceive of the bottles in relationship to one another:  as we are highly social, so are they.  Some are explicitly stand-ins for humans, others less so. What is different in this new work is the addition of words to many of the bottles.  The relationship of objects and language has always interested me, but the only evidence of this in my work was in the titles.

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