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Traver Gallery

Richard Marquis

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|
PAINT BY NUMBERS WITH SNOWBALLS, WEIRD TEAPOT AND LIGHT BULB | 32080
PAINT BY NUMBERS WITH SNOWBALLS, WEIRD TEAPOT AND LIGHT BULB | 32080, 2016
blown glass, wood, found objects, sheet glass, paint
12.5"h x 16.5"w x 4.75"d
pricing available upon request
PAINT BY NUMBERS ENGLISH SETTER WITH TEAPOT AND OLD CROW | 32079
PAINT BY NUMBERS ENGLISH SETTER WITH TEAPOT AND OLD CROW | 32079, 2016
blown glass, wood, found objects, sheet glass, paint
12.5"h x 16.25"w x 5.25"d
pricing available upon request
EGG IN CAGE | 32076
EGG IN CAGE | 32076, 2009
blown glass, granulare technique, found objects
9"h x 6.5"w x 6.5"d
SOLD
PAINT BY NUMBERS MOUNTAIN SCENE WITH ODD OBJECTS | 32078
PAINT BY NUMBERS MOUNTAIN SCENE WITH ODD OBJECTS | 32078, 2016
blown glass, wood, found objects, sheet glass, paint
12.75"h x 16.25"w x 5.25"d
pricing available upon request
MURRINE TILE SAMPLE BOX (THE SIX SEVENTY DELUXE SEDAN) | 32077
MURRINE TILE SAMPLE BOX (THE SIX SEVENTY DELUXE SEDAN) | 32077, 2012
murrine, plate glass, colored pencil on mat board, wood, paint
18.5"h x 13.5"w x 2"d
pricing available upon request
MARQUISCARPA | 32074
MARQUISCARPA | 32074, 2002
fused, slumped, blown, and wheel carved glass, murrine technique
10.25"h x 7.5"w x 7.5"d
pricing available upon request
YELLOW SCREAMER NEON HEAD | 32462
YELLOW SCREAMER NEON HEAD | 32462, 1984
blown glass, neon, transformer, found objects, paint
24"h x 14"w x 13"d
pricing available upon request
YELLOW SMILEY FACE NEON HEAD | 32463
YELLOW SMILEY FACE NEON HEAD | 32463, 1984
blown glass, neon, transformer, found objects, paint
23"h x 18"w x 16"d
pricing available upon request
PUMPKIN FACE NEON HEAD | 32464
PUMPKIN FACE NEON HEAD | 32464, 1984
blown glass, neon, transformer, found objects, paint
28.5"h x 14"w x 12"d
pricing available upon request
1/17
  • PAINT BY NUMBERS WITH SNOWBALLS, WEIRD TEAPOT AND LIGHT BULB | 32080, 2016
    blown glass, wood, found objects, sheet glass, paint
    12.5"h x 16.5"w x 4.75"d
    pricing available upon request
  • PAINT BY NUMBERS ENGLISH SETTER WITH TEAPOT AND OLD CROW | 32079, 2016
    blown glass, wood, found objects, sheet glass, paint
    12.5"h x 16.25"w x 5.25"d
    pricing available upon request
  • EGG IN CAGE | 32076, 2009
    blown glass, granulare technique, found objects
    9"h x 6.5"w x 6.5"d
    SOLD
  • PAINT BY NUMBERS MOUNTAIN SCENE WITH ODD OBJECTS | 32078, 2016
    blown glass, wood, found objects, sheet glass, paint
    12.75"h x 16.25"w x 5.25"d
    pricing available upon request
  • MURRINE TILE SAMPLE BOX (THE SIX SEVENTY DELUXE SEDAN) | 32077, 2012
    murrine, plate glass, colored pencil on mat board, wood, paint
    18.5"h x 13.5"w x 2"d
    pricing available upon request
  • MARQUISCARPA | 32074, 2002
    fused, slumped, blown, and wheel carved glass, murrine technique
    10.25"h x 7.5"w x 7.5"d
    pricing available upon request
  • YELLOW SCREAMER NEON HEAD | 32462, 1984
    blown glass, neon, transformer, found objects, paint
    24"h x 14"w x 13"d
    pricing available upon request
  • YELLOW SMILEY FACE NEON HEAD | 32463, 1984
    blown glass, neon, transformer, found objects, paint
    23"h x 18"w x 16"d
    pricing available upon request
  • PUMPKIN FACE NEON HEAD | 32464, 1984
    blown glass, neon, transformer, found objects, paint
    28.5"h x 14"w x 12"d
    pricing available upon request
RM

About
Richard Marquis

Dick Marquis, is a pioneer of the American Studio Glass movement known for creating whimsical and irreverent glass and mixed media sculptures. In the late 1960’s Dick traveled to Murano, Italy on a Fulbright Scholarship to work at the Venini Factory. It was there where he saw murinni and other long-held Venetian glass blowing techniques being used. Since that time he has used these historical techniques to expand his sculptural vocabulary, building upon classical references to create the humorous, colorful and sophisticated work for which he has become widely recognized for.

He lives on Whidbey Island where he and his wife maintain a beautiful home, garden and studios. There, they create their unique bodies of work, influenced by the solitude of island-life, their collections of unique historical ephemera, their creative community, and the animal companions that live with them.

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